This museum’s spatial sequencing is derived from three distinct movements: submerge, traverse, and reveal. Visitors undertake the experience of the miner by journeying underground at the site of the original mine shaft. This delivers them to a compressive tunnel space which utilizes skylights and waterfalls as tools in narrating the history of the place, simulating the conditions of the disaster in a controlled, reflective manner. This story concludes when entering the main museum, where guests can explore various artifacts related to the mine and surrounding area. The skewed, cross-axial form of the building in plan makes direct reference to the overlapping, rotated grid system utilized through different layers of the salt mine.
The project’s manipulation and reversal of the roles of positive and negative space stemmed from a similar concept seeded in the investigative site model below. This model exaggerates the Z axis, representing the salt dome beneath the peninsula as void and the tunnel system within that dome as solid. When translating this concept into built form, the floating elements of the massing appear solid, while the embedded program is voided from solid earth.